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Film Analysis: Sleaford Mods' Jason Williamson Assumes Role in Sceptical Look at Ecstasy Generation Era

Helmed by Portishead co-founder Geoff Barrow, this scabrous though undernourished first film turns a sceptical eye on 90s rave culture. Self-serving drug user David (Marc Bessant) first robs an unconscious dealer, then in a later recollection tries to burgle his own family home. In no time, he's overturned in the remains of his car in a forest – and subject to the wrathful eye of the Poacher (vocalist Jason Williamson). Declining to free David, with no time for townies, he is broken Britain personified: “You’re one of those loud individuals from up on the heath.”

Unsteady Opening and Grimly Amusing Confrontation

Game gets off to a shaky start, lingering excessively on meticulously detailing David’s attempt to free himself from his safety harness, while clumsily segueing into flashbacks of his everyday life. The central theme – that the ecstasy generation were mainly focused on themselves – is clearly conveyed. But these brief episodes are too thin to properly prime us for what to expect when the Woodsman turns up, fuming after David strangles his dog. Still, a darkly funny duel takes hold – David desperate to escape; the Woodsman denying his container of cider, determined to soaking him instead in resentful talk. Williamson, exuding ponderous menace in the role, is evocative of Michael Smiley.

Stylish Imagery and Promo-Inspired Sensibility

Just a single key story turn, but it leads to a hilariously staged rampage on the woodland paths that dips close to rural terror. Filmmaker John Minton finally gets to go all in with his showy imagery: where he was focused intently doing artful shots of bugs in headlights in the early stages, he now lets rip with the full lysergic 21-gun salute, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an extended promo than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into successfully graduating from the Brit music promo scene.

The film releases in UK and Irish cinemas from November 17.

The writer

Nicole Cohen

A tech enthusiast and digital strategist with over a decade of experience in analyzing emerging technologies and their impact on society.

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